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URL:https://www.learndesk.us/class/6703471816343552/lesson/1c1b65d32fb95281542eb40e4bec3ede?ref=outlook-calendar
SUMMARY:Cinematography: Sizing the Shot
DTSTART;TZID=America/Los_Angeles:20260519T190000
DTEND;TZID=America/Los_Angeles:20260519T200000
LOCATION:https://www.learndesk.us/class/6703471816343552/lesson/1c1b65d32fb95281542eb40e4bec3ede?ref=outlook-calendar
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Sizing the Shot

Because there are 1000's different options and scenarios for choosing a frame on any given scene. It's helpful if we break them down into standard frame sizes. This way you and the director can begin to speak the same language when shot-listing. And you camera operator and assistant director can understand roughly what the next shot is about.
Here are some examples of pretty standard framing you can apply to your project to begin building your visual tapestry, and their abbreviations for when you are shortlisting:

Ultra-Wide
CODE: UW

The ultra-wide shot is one taken to give off the view of an entire landscape or set. In this shot, the subject is not really an important part but rather just part of the scenery like everything else. (UW shot)

Wide
CODE: W or WIDE

The wide or "full" shot is used to show the entire subject and their surroundings as well. This is also known as the establisher because it establishes the environment for the audience. (WIDE...

https://www.learndesk.us/class/6703471816343552/lesson/1c1b65d32fb95281542eb40e4bec3ede?ref=outlook-calendar
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