Okay, let's go friend. I'm gonna take these two lids off because we're going to be using both sides of the sucker. Let's get going. Now First things first, I'm using a bigger piece of fabric here than I normally would. This is a great way to start off you guys because you don't have to worry about painting yourself into a corner, excuse the pun. As you saw me doing my early examples, you can basically draw it in the middle of the page and you know, you could you could cut that page down if you want or you could carry on drawing around and use it as a big old doodle page.

Because the southerners get a good hook there. Peel it off, skip around the fantastic texture coming through there by the way, which I'm quite pleased with. Ultimately after after a little bit of use these nibs a little blown out, but that's okay do some good stuff with that to the bottom there as well. And here's Ramadan just a small God from my myself just so I can see you fancy having a slightly thinner drawing there than the the thicker stroke that I've got here. And by the way another great thing to use the snip for these little sort of in a straps See how it kind of adds this dynamic to it now it's almost like a little bit of lattice hitting it from the lift. I really like that.

Okay, so you basically just concentrate on the side I like to put it on the left there, but I reserve the rights to put some other little bits and bobs here and there I need them. Let's crack on I think let's make skeptical sort of dude. So let's get that is shaping we talked about. Let's throw that other one way up. So he's not sure about a thing where you're saying, very skeptical, dude. Let's get the Iron Men going to show you guys.

Maybe the single most important things to remember when you're doing these. Remember how put otherwise were the first one I did with the droopy eye. What I forgot was the basic principle you need to know in drawing a face. Start with the nose, think of the nose as an anchor, where the nose starts, that's going to be the top of your ear, where the nose ends, that's going to be the bottom of your ear and your eyes slightly lower. So I always like to establish was that to establish one I first gets a nice bit of emotion in there. And once I've sort of got the style that the styling of this is I want it I can turn you know, I can replicate that on the other side.

So you see how we're using quite a few little of those basics. We've done our script so far. We've done the tiny version of the hatching that we saw on that lady's hair drawn. Much the same. Bring it down again. And again, little whip around the circle.

Even rough that's okay. Do my little signature bags, I love these things. I probably don't get enough sleep muscles. That's kind of what I see in the maranon if I gotta have them work on easier, right? See this other fun thing I'm doing? Yeah, I don't do this on all of them.

But when you're learning, joining, joining into something you'll find really handy. So this one has a beginning, such as and it has an end. He's a touching pause very few of these are floating on there and even these two only that one's kind of flexing so they're all kind of anchored to another piece of the of the face. Let's see this one going up. We're going to skip the nose just carry on there. We're always kind of joining them You see, and I think let's give this guy a bit of grits.

On a sneaky little things we learned so good rounds that's a bit of a sunken cheeky see. So let's get let's do that. Yeah, next since we recently talked about the bottom of the nose. Leave a bit of room for the side of his face. Want to pull the low back from about here? All around starting from the top.

And here's the quick tip. Let me show you kind of in a draw kind of a funky, weird shape, bump it out there. skip around there and just pull a little guy in there. Do one more there. And that's it. Yeah, with as much detail as one could ever hope to put in an early.

Okay. So see, we're about the nostrovia girl. Let's go straight down from there. Draw on an old branch and I think that'll be cool. Okay, awesome. Good.

House is kind of a strong character. So I'm going to go with quite a strong jaw there. Pause and just Straight up towards the sea it's jutting out so it kind of looks a little more Viking maybe. Next thing I'll trace that and just go up for a bit of forward. Now here I actually want to do I'm fencing doing some of the hatching, I really want to do a good job on the hair. Nice fade in.

So let's pull it around, they're stuck at about the egg and nice blockhead going started and just curve it down there as it meets the this is one of those ones where you really don't need to you really needs to give him a neck and he's gonna take a body just fine. So because of the crop reducing I'm just going to give him quite a small chemical body. Let's just pull his brother man and we're going to make a decent fade here. So that's going to be solid on the tablets It's all that brushy stuff in our hearts that's really slicked back and then we can get my good old fade. Yes, to start out as many as you do. You see they're quite loose and random at the moment.

By the time we get to the top, we're gonna really get them. Ultra ultra ultra class clustered. And that's going to give us that sort of hair effects of shorts are at the bottom and thicker at the top. This is where I find music really helps. You saw in the trailer for this class. I was actually a piece of music written by a good friend of mine, Thomas WorkKeys.

And it was specifically written for this class because it's got that low. Then Tintin, Tintin, Tintin, Tintin, Tintin, Tintin Tintin. Kara's Just helps you keep the rhythm of what you're doing. thicken that up and kind of cheat and flip that pop over and just get a few dabs in there to make it really good and thick and you starting to get a decent it's this tiny little ones I'm barely barely barely living in the pet the paper there. Just fill them in because you would get that you know, this is just this cuts you're going to get a little bit of regret this stickler for detail. This is the nibs cleaner that line as well.

So yeah, that sort of feels like it's gonna meet up there. Let's just do a few creases. Run up the matter through these little dots on the show. We've kind of ended clean that up a bit as well. How to keep a nice clean shaven chin I think on this one all right, so already here we go. It's gonna be a little chest they get a towel man.

So they're working man. Let's just give it some dimension there. And I think to me this is looking like a bit of an authority figure. So let's pull this torso right down, man. He's gonna have hands on hips. Actually, let's put them in his pockets that's even easier.

Okay, so that's the pockets. cover of the shirt. They're good thick and thin. They're just get this other arm up landed somewhere on me. Look around this as much as you did at dinner. It's all good.

So now the reason I put them in pockets here, that's gonna be a lot easier because we don't have a lot of space to play with so I can hide them in the pockets. I don't have to draw the hands because I've got that shine on everywhere else. I've got to leave a little bit on the pants as well. So let's just flip that around. Then hatching and then I usually stick with us one just for some some nice little shoes. shanem to see and then we are basically done.

And if you still feeling like it, you can check all kinds of stuff on there. You see all these little flicks and grits and things they just give it some sort of movement. So now this guy's you know, he's angry, he's dancing or something. It's kind of wobbling around but our other like our other liquid, this has been Okay, and now he needs a name, I think. I think this is Maurice