I Want You Here Because of That

Dance Improvisation for Beginners and Facilitators Step #6: Contact Improvisation Dance Tools
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So the next modality is called, I want you here because of that fortune to to guide the tiger. So it's about being clear with your intention, what we want when you're in communication with somebody, and also the other person also to read this demand, what do you want and also to follow that demand. And it's about being really clear. Even if you're not clear at the moment, you're gonna get more and more clear by the exercise that it's very simple actually, it's fun. Okay, Maya. So it's about baking the content.

In first of all to use besides his body, also the words I want you to hear Because of that, you go on shoot here because of that. Okay, I want you here because of that. I want you here because of this Yeah. missing the because if you will, you will not know exactly what you But the moment you give the inputs, the situation is created. The image comes and the flow comes in, you know everyone okay? So try not to be in this way.

I want You're here because yeah, go go be precise. Get into the you're creating tension. What do you want? Okay, invite somebody can use both There's a space here because this space is a to communication also. So if you go to remember that now what's happening here? It really is a bad moment.

This should love it. This is a quick communication because in this space, I got the image I got the day of inspiration. Yeah. I want to hear because of that, stay the content. Come back. That's a good communication.

I want to hear because of their standard contract. Because of don't lock yourself inside, I want you to know that they always in the contract. I want you to know that. Hey, it's about communication all the time. Okay? Shooting not to make big gaps between I want to hear and then because of that, otherwise it goes like this.

I want to hear something Yeah. I want to hear yours ready is already the invitation to what is the collection to hear. So don't care make a gap that usually usually stolen because of To position especially for the salsa, because sometimes it involves like, nobody goes up there. But sometimes if somebody is really clear what you want to take, and I, I was you're here because of that because I was really precise and she followed me or if I go, I want you here because it doesn't have to be I want to feel that there is opportunity to complete demand, especially if there's some good input. Okay. Just a little bit of internet.

So another thing is, did you notice the sometimes you don't know what you're gonna do, but you start and then you know, All right, guys, this is called going with the flow. This is how we did all the time now. More or less Also now we can train is the hardest way but it will tell me that before you go I want your killed because of that that you know exactly where you want to become possible. So you already have the image of the end action and position and it has to get this person to that position. Okay my image in my head. I want to hear that Okay, my image was like, there you go.

I want you to get because of that, I'll go have the image. I want you here. Because I was very I had the image before I started there is the hard way because you have to think and do Is this petals? Right somebody? Yes. There's some pretty So how was this for you?

It was a it was hard to do. Yes. The promises Yeah, we'll find out the way, but it's good to have both way. But you know the two possibilities from the mind on the floor. There's another one more dynamic. It's called shift.

So basically I want to hear because of that. For instance, this exercise, you start. I want to hear I want to hear because of that. I want to hear I want to hear because yeah, but try to be nothing the opposite. Try to follow the flow like, like if she goes you should go inside that flow and they have bad idea whether or not Clear. Clear.

For instance, I want you here because of that finish. Okay. Let's go. I want you here because you see I want you here because of that Try to see where is the flow that is a better idea but not all the time or the inside the same flow and the issue was the moment your partner is making a shift then go no go again. Okay. Okay, did you find that this ability to make a shift?

Yeah. Do you notice they'll create any problems and the question at this point. Okay, from now on, no more of urbanization. So no more sound of the mouth. So everything which includes some exercise, I want you to hear because of that. You have a flow, you have a mind and you have a shift.

And you're always when you make demand, talk to yourself inside of you. Yeah, but not loud. Have you got and also try to be aware of the developer because what's happening on the end, I want to make the space life Okay, let's go seven minutes for this song

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