Today's topic is called time. How do you perceive time in relation with yourself or with the other? Especially if you meet somebody the same time? What is the reaction time between us? It's a very simple tool. Also playful.

I will explain. We play peace during the beginning. I invite you to go back to your own movement in your dance, you can do whatever you want to do. I play my music have two minutes. But be aware while you're doing, what you're doing. What does time mean for you?

What does time means to you what kind of a role plays now? What is time Okay, you can use all this to do up and down. I play one song and we thought in two minutes time for you Just give me one word once ation of the procedure time. One last time, how was time long time motion, slow time. Smooth fine. Time.

Gift time it does. Take your time at Time Warner whatever you your mind now put the words on time. This is how you perceive time. And time is always is always changing always is constantly fluid. And time is not a clock. clock is a device that measures time with what time you need to order This is not time.

Time always is a religion the time and how we can feel this time because it's always changing how can you use this time to move to time to open different qualities of different parts meaning of time like to say okay how I can put myself into boys how I can put myself into what I do at the time, basically, if you open the door long, long time, take your time. Take your time. Imagination into the into different times because time is always shifting. If Kevin thought times changing if you can, a lot of times is changing you live from the move. And now we're going to go to that space for communication time. So I'm going to put myself into relation with the other and every time some of us moves that means open new time.

It's a preposition of imaginative world or Connecticut war. But we got to move in the same time. Are we gonna be still in the same time? Why are we away goes a long time. Firstly, help establish connection. There's no connection that we cannot play.

Even if I move my arms here, already doing sometimes we have to be really aware of all extremities us opens the time. It's a clear proposition, inviting the into the old time. So I go inside of our time I don't repeat from home I just leave inside of time. And when you find the time then we stay without moving leaving the same time level. In some of us opening times the liberal position of time rather beginning begins in the eighth hour can be clear with an action. Clear sense it's a very simple game yeah for beginning standards.

Connection. But anytime you open a time you invite the person inside of your world could be imaginative world to connect to any kind of time its own qualities and all. Don't just do something's there forever to do shoots Okay, no, thank you. Stay connected in the same time. When you stay, stay the same time Don't rush. Stay okay invite somebody to begin the exercise do so When you open a time, try to go with a when you open the time with a clear proposition, it could be imagined that people are connected.

Don't be shy. You can go Well, now, I don't know. I'm challenging noise in this column. So what is this position? What is the position? What is the position?

What is the end? Yeah. You know, fine, but then I'm just challenging you to be more technical risks into positions. Just over time, just just follow up for the time. Another thing did you notice that our mind was better already? I know I do.

You do? I do. You see our mind is like oh I know this game. Okay. And then again the moment you see that the patterns are happening, right. Now let's go This one was easier now or the qualities of working positions, much more Yeah, and also when the game begins.

So, the next one is authorization. So basically, it's about the reaction time. If somebody moves in no time, the other is still in on time. And the moment the person stops, the other person have to begin at the same over to the same direction. And the moment they stop, reaction time of human can observe something, some mechanism inside of your mind, and that is that your mind jumps in the future trying to produce The time Let's observe, and then we're going to talk more how they can play with it. Yeah.

Let's go back somebody try to be the reaction times 0.0 I can see Okay, ready? Did you notice notice this mechanism that you started before then it's good if you can see it and observe it but how are we going to be really clear with with the ends so the but don't have to jump in the future so when she finished I started that's the only thing I don't have to think or predict. You have to trust when she's finished I, I stopped, but you can also have for now to pass the end. And know like you know, if you have a ball and throw the ball, the person personal stats. So basically now you can also try to enter sighs the ends if I go through the end and she has to stop, you told me no then I have to stop at the same moment.

Or this is the simple way. And the second one is that you close your cheek like I'm not not expanding but contracting with cheap. And then she has to start again. If I go, if I contract my G, she starts she don't have a choice because I work here because that is beginning to throw the end. And then also play with closing. Because if you're if you're connected and then something is closed, it pauses Display Explorer.

Let's go. Can you sense for more clarity? Did you still have problem with this mechanism of trying to go for it Okay, now let's check it out with the next exercise. You're gonna go the same but now we're gonna play songs with a with lyrics with singing that song and now the company will decide one is music and one is lyric. So your music, your dance and if someone is talking or singing you go, go. But the three keys stay with your partner.

For instance, we have a song which you all know You are Oh, Jesus. Someone that hear your prayers. Someone who si si No, just hold him when she or finish should begin. That's the primary that the music is there too. Okay? But not to be okay now this might connect the apartment.

This is the first song you can invite somebody else to do on the fly is more dynamic. Let's go. New York. I love you, but you're bringing me down Excellent. Mic around okay. In New York, I love you, but you bring me down Now we did this time tool in relation to others, especially one.

Now we're going to go a grouping for this session or using this tool that means you are alone inside of the, but you'll know exactly what's happened. So developing your own world your own dance thing, beginning your movement skill, but you can always use the tool of time to be in the same time with somebody or against somebody. You decide when to use this time. Okay, cleaner and we can use all the space. So let's first fill up the space. You find your beginning position or in zero to start and apply music.

You're going to go eight minutes.