Architectural Movement Quality/Awareness Inside of Movements and Relation with the Architecture and Objects Outside of You

Dance Improvisation for Beginners and Facilitators Step #6: Solo Improvisation Dance Tools
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So in the beginning, we can get our awareness inside of us, the architectural spaces inside, inside, inside, now we're gonna go outside without a reference. In a place our body into a better space around let's see how we can, how we can buy, what's fun. What's fun. Okay, so, event of imagination, how we can use that architecture around us and move through it and use it, how this architecture could influence our moving out outside of us. I'm placing my body into, into architectural shapes outside and to sort of develop this imagination and see how we can move to the try. So not inside or outside.

Go for the qualitative. Let's try a look outside of you. How the ceiling shaped your movement. How the walls shake a woman out the chair shaped a woman. Abroad everything you see outside outside this architecture outside the object outside of you. So what kind of body do you need?

Places that position some relationships some often or indifferent to the table about how I can place my body to go find another thing that shoots the piano. Project a snowball into some kind of start position or what kind of body you need to be in a relationship. combination of all three principles of ama suicide awareness outside placing bodies in the lane prompting possibilities to play with. Okay. Let's take it so seriously. Just like Kamala protects her own awareness inside outside relatedness to the space architecture outside of us, and how we can lead the globe, the patient happens to us that kind of environment, which is really mind projected.

I find a political and societal you can also do all these interests, same speed to change the same power density. Just observe Why do this subscribe

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