So now I want to take some of that yellow that we had here, the base color, and I want to go over and just pull that color from the center pedals. Again leaving white. But I don't want to leave just white, I want it to be orange, yellow and then the light, just like that. We're also going to take that yellow, and just dab it on the center of that flower. And that will dry and we'll use that in the future. So now I'm going to take my red here that we use for this part here.

So the parylene red, and a little vermilion hue. So now we have a really intense color. Again, I'm going to make a sharp point on my brush. And I'm going to start at the base of the petals and just pull that color up. And when I pull it up this time I'm going over most of the orange that we've put down, they'll just be a little hint about peeking through And so while the flower on the left is the underside of our Daisy, this is going to be the actual center of it so it's going to be a little more pigmented and I don't want to make it look universal and uniform in one color. But I do want there to be more of this read than there is on this one.

So again, I go down, I start at the base of each pedal, and pull up and as you can see there's only a little bit of that orange peeking through. Just enough to know it's there but not enough to be a dominant color. Again, I continue with the base of these pedals pulling up following the shape Then I'm gonna do the same thing with that inner layer of pedals just like this, except I want more of that orange layer to be showing through. So again, I pull my color out to the edge, following the shape of each pedal. And then gonna rinse my brush and go back in here with this orange, this vermilion hue. I'm just going to put a little bit of color out from the center overlapping the existing orange, the red we just put down and dragging it to the end of that yellow.

Just like this. only doing this on the larger pedals for now. And we'll let this layer dry.