So now for our second flower, I went in there and I want to add a little more vermilion hue to each of our pigments. And I just took a dry cloth to create a bridge between both so that the colors didn't blend on my palate. I'll take a little this yellow orange, mix it in to get a lighter color. So two brush folds of add on this one. And then just a little more vermilion hue on this. Good stick with my number six brush for this flower.

Pick up some of this lighter orange, and I want to start at the center and pull down to the base. And I still want that yellow showing. Let's make sure I continue with the lighter of the orange and I'm dragging that color right to the center because I'm using a bigger brush I have a lot more wetness and a lot more pigment on my pedals here that do a few more than I normally would the smaller brush. I know they'll stay wetter longer and I want to make sure I drag that pigment right to the base of each of these pedals. Then I'm going to go in there with my deeper orange color, and just deposit some at the base. With that color, run a little bit of a ways up that those pedals and I'll switch to my number one brush.

Take that lighter of the orange we did, and I just want to start at the base of each of these inner layers of pedals. Try not to connect them all so leaving a little white in between each pedal and bringing the color up about halfway up each pedal Then I'll go in there with a deeper color and just deposited at the base and I'll let this layer completely dry.