Now that our stems are dry, I want to go in there and start with my pedals. Gonna take my number six brush again and take this pansy yellow, and just a little bit of this yellow ochre to warm it up. With it on the dry paper, I'm going to take a nice pointy brush, and I'm just going to go from the base of the pedals and pull it up about three quarters of the pedals. Turn my paper over so it's easier for me. I'm just pulling that color down and up all the way three quarters to the top, maybe a little seven eighths or so. And I'll go through all of my pedals on this one.

Daisy. So there I have a lot of white showing, but I have my yellow. Nicely done. Good to start here. Grab a little more of this hands yellow and a little more yellow ochre. And for this Daisy, I'll do the same procedure.

But this time, I'm going to start at the top and just pull it down, and I'm not worrying about getting the base. I'm getting that color pigment all the way to the base. Just want to get that pigment, mostly two thirds of the way on each pedal, and I'm really focusing on the top of the pedal. Pull that color down and we'll let this layer completely dry.