Yo, let's talk more about transitions. Actually in a photographic transition is the indicator of bad screenplay or less the designer. There are more expressive tools like editing emotion, or in that screen editing. But sometimes a funny background or transition is needed, for example, to rearrange the information parts, or to shake the viewer up a bit. It's kind of ashoke Often, these elements are used in broadcast design, like bumpers, cups and bars. All of them are their names for a brand style of a channel.

Or maybe you'd like to became a cool blogger, so I'd recommend you except editing, use transitions. It will make your blog channel look nice. Of course, I covered this topic. Not to promote you to be a blogger, but to train track mate. And also, I would like you to understand that using pleasant color schemes, simple forms and LED tape face, make it fancy stuff. I hope you've heard me and you have downloaded your own collection of color schemes.

So let's go. I will show you where I grab the color. Use behance does calm and scrolled. Yeah, I'm just kidding. I have a fella references and there is my color scheme. Okay, let's talk about timing.

If it isn't a simple transition, it will take two seconds as a maximum, usually one or one and a half. But now I'm going to create a transforming transition. So it will take me about four seconds or maybe five as maximum. Oh, is the first time we have a statement of work timing You may have loved this show that have been learned and it does not need to show it for a long time just two seconds, it will appear for a while and the next screen will go. So it will take me two seconds for opening frame then wonder how for logo blogger presentation and then it will be a final transition. Just using these data you can tune your admission by speed or timing it make your life easy.

When I have already had a time breakers isn't simple knowledge you can draw up a competent pipeline of your work. Nobody will complain about your timing of the composition. So firstly, I make a new composition but do it more careful because we have a ton of transition. New competition. Name it okay one set up Here, okay it just for lesson and it will be set 120 and the duration is five, but I changed it to the six value in case of any emergency, the second will be helpful. So okay.

Now I'm going to show you the basic principle of construction, the animation, and we'll create the transition using this principle. Let me start the round, choose an ellipse to and draw around. You should check that anchor point is in the center and the round is in the central two. Okay, and now I'm going to animate only scale. So first frame has a zero key After two seconds, the round has its maximum. So the size maximum size to cover all the composition here is is it in and added the graph.

I want this round to cover this screen for about one second. So also this round will change the previous picture for about one second and this round will be at foundation for the future animation. So how does it work? If I duplicate around, move a copy about one or two frames this copy and use the mode of alpha invert map. So you will see such rain This is the basic principle of transition. For example, you create an object and using duplicating or deducting create something like a sandwich.

It's easy to remember that we should show a logo for two seconds, the faster the better. So, but we'll see how it goes. Okay, the principal is done, I turn off track mat, and what am I doing next? I need to bring a color reference. You see my file. And here is the picture that I need.

Yes, bright lead. Interesting colors. I like it. So I choose it. Bring to the project and also to the timeline. What can I do for your covenant?

You can make a little rectangle a shape with the help of shape tool and use an eyedropper select color of this picture. Then deprecated move a bait and choose another color of the picture. So you can create better palettes came from your reference. After this select in all your colors go to the layer and pre compose it name it like colors maybe. Okay, and the picture can be deleted. Cool.

Now we have such a clue to use in need. Here's the first round and lead this first round be bank duplicated move a timeline and double it again and I want to create such a ring Let it be light pink. Now you see these this colorful green and if you like he can change power to make it more visible. By this principle you can create the main action. Create basic transitions by geometrical forms after you can draw a rectangular Be sure that it is placed in the central check anchor points. Control plus home, place it to the center.

Okay make it purple and animated by scale. I've made it bigger to create an effect of move introverts and maybe speeding up. Also Atlantic animated by rotation. Lead Let it be here minus 75 And here will be zero T on the graph and have a look. You should do it intuitively. Have a Luke, check it, find the moment that you don't like, fix it.

For example here I feel that it is too long of nothing and I'm going to short this moment. Here the rectangular is too fast. So I changed the speed of animation. So you should follow your mood and maybe play hunch and learn to turn off my voice. But you'll see what I'm going. So when I turn to an Now this tab, I'll follow this weekend.

And just to refresh your memory, you have the main forums, calls, and I'm going to show them in order. Everything is gonna be cool. You see that here is a simple background and I want the rectangular to stay here for a while to make a kind of a gradient of gay metrical shapes. So, the last square will not be disappearing by scaling let it stay here for a while and scale slowly yes and bits callin slowly the main principle of doing satin simple, you should add a bit more. So, if you are composition is about color and form that you should check animation case to make them ideal Without any gaps, even a tiny bad thing inside such simple animation ruins everything. That is why you should know every yes tap every animation frame to make the animations move.

Don't let anybody doubt about something, do everything careful. You have already had lead colors so so it's difficult to fail. And finally inside this square will be a circle, the mask of fish a picture that will appear inside the circle. And in this case, it will be a lager of Super Bowl Okay, cool. Now the color of the circle doesn't matter, because it will be updated later and let's turn to the logo, bring our logo to the project, open this file and search for it, double click, find it, delete the background and delete one of two parts of the logo. Go to the Composition Settings and here you see 400 by 100 actually to 1000 to 1000.

As you know shapes has no size and I can scale the logger as much as I can and be sure it will be okay. So check if it is placed in the central. So control plus, plus home or common plus home. Now, it is placed in the central. So next, I take the reference and bring into the composition it will be cool to have this identity of colors on the logo itself. So I bring in here and by the way here should be mode normal.

So, I decided to deduct the background from the logo and hasn't checked. When I've done it I found that it's cool. It's a texture on the logo. It's nice, so let's use it to cover the letter properly then abdicated the logo, opened the contexts and delayed this stroke. Leave only this wide part of the logo here you can see this late texture, but it isn't g back file. And I can't use JPG file in the composition.

And what is more important, it's a lesson and I'll show you how to use these debates while and make your own geometry and then use it as a texture. So I'm going to redraw this part by shapes and make these texture without hedgy back. Why can't I use to back parallels in the composition because by scaling the logo, one can see these kind of artifacts and it will not look nice. It is not allowed for designer to do like that because these tiny things are very important, especially in simple design goes that's an eye catcher I use shape and to draw this texture you can feel he can choose the color just after. And here you can see my redraw texture. The main shapes that covers fill gone at to compose the layers and the main texture and the main picture can be related.

Put my own texture behind the logo and use Automat cool I've created a texture And here's a JPG file and I can scale the logo. But before I should click this sun icon here by clicking this icon, all the elements are brought to these minor composition. Without it, if I scale it you'll see that kind of tears have a look on of Okay, the sample of the logo is here. Let me turn to the the logo here. Have a look at the color scheme. Cool.

Maybe I change the color of circle to make contrast. Because I have has pink shades here. So the logo became more visible, it looks nice and match with a basic color scheme. Don't forget to turn the sun icon to scale and also to scale it in the future. And also, it will help you to change the picture. Let's talk about tricks.

Because to reveal the logo the way like that it is too boring and too simple. So I decided to make an effect of glare of this song in After Effects. There are attacks that makes that make transitions. And mostly the code like riddle bot or linear wipe. So what have a wipe, wipe, be careful. It's a kind of transition.

So it can make a transition in different ways. Using plugins like what or using shapes Track made mode to be differ. I'll show you how to make a transition by plugins. Okay, I broke compose here everything layer precompose and the Kate turn up lower layer go to the effects and gone here transitions. Here you can see linear wipe, choose it if I change the value. So you will see these cut in effect by straight line.

Let me animate these effects and show you how to make the kind of glare of the sun of the shade of light on the logo. Firstly, we should draw these glare this shade. So I'm finally in the corner and place Unit if it is okay, yeah, it's okay, move tobert to have an extra time for peering for burying the logo and so on and start from here. Here. I'll put 100% and over one second zero tune keys and played. Okay, I'd like to added graph here and stretch the case.

By this effect, we have created the appearance of the logo. And I'm going to add one more fact. The last factor is our borough then others here. So again, linear By, by using second special and transition, we can create an effect of a glare of this. So from the right corner you need to be closer to the first one. So the transition in the first point should be zero.

And after I tune the width of this line by case. So now I'm tuning the upper half, add Screen Mode You see this kind of line of running kind of line is running through the logo. This is one of the options to use standard tools of after attack to create such a stuff. What is more, you can double it. Double Bass attacks and change gears a little bit to have different lines. One can be wider than another.

So make connection. Personally, I don't use plugins often because basic transitions have after effects. They overload the system, not much of course than saffire transitions. Yes, they are cool, but they're too hard for your computer. And if you have difficult animation with lots of facts or objects inside so your computer's start to slow a little. I've shown you the brains and I'm going to delete it and create the same effect by shapes.

Use Bantu and draw such a rectangle over the first second I put a slider and open top bar one and after one second I change bar to the slide. But in general you can do it like that. Move the shape this way and you will see a kind of animation of running blind. Okay to yawn The case is in added graphs Yeah, it's cool. It can be easy out here. And as in the previous one, I dedicate the layer change the timeline of it and tune the case to make these lines differ.

When you have created these two lines, you can pre compose it their pre compose and name it like line, wipe them, double the logo control plus B and with Have of alpha mat, deduct the lines from the logo alpha maps Yes. So, you see that with the help of shapes, you are able to create these lines turn on screen mode or ad. And here is it the same effect Don't forget to turn on some icons in case of scaling or changing shape compositions. So, actually it is a simple form of the fact. Yes, we've tried made two lines and they're not the same as some made them different in wide. Yes, this cooler packed glare of the sun but it is too simple and as Third, what does it look like?

I see in this texture such ages of this tone, so I can make an effect of ages. And the fact of the sound will not have a flat Ronnie like it has now that will be a prismatic reflected light. And so I can stress the texture by this effect and make more difficult graphic element from simple one. Yes, that's cool. You need to use such tricks. So let's go and select these two layers and precompose them named click read.

Okay, and click the sun icon. So here we have how many edges Do we have 1234567. So we should have six different slides of each age. So at the beginning Keep the lead six times five, because I already have one is the first and cut it by mask. Turn on the second bomb and do it again. So cut this part by mask two after cutting all these six parts, and I need to select all of them and make ad mode and now I'm going to move them one from another By this way, I've created special out of the sun that is running in the ages of the logo.

In this part of the lesson with precomposed the light and I'm not able to rotate each part of the logo. If I select these two layers, copy them and bring to Okay, I'm turning off everything and turn on all of these parts. Okay, I want to rotate the sunlight. In this part. I use mask and draw and now I can change the position of the texture If I had decided before, I wouldn't have ridden it. So you probably could replicate the elements themselves.

And after tuned it as you like, cars, the sky's limit. I've shown you the main technique and the idea of this action. And after all that, I'd like to finish the logo composition with a tiny element shining star in the corner of the logo. I use tar to and drawers towel with the help of press shift. Make it white. tune the anchor point to be in the central and animated buys kale put zero move scale and move more zero again to key assistant.

Okay, let's have a look at this tar if it is okay and in the speed of animation, Yeah, super there is all the to match the position and catch the moment of sunlight. It is a kind of manual tuning. So do it as you feel it. You can even duplicated and play somewhere else. Okay, we've finished the logo animation. Now the logo is not a static element.

It has an action, check everything, some icons, and we can return to the main composition. And I'm going to make a trick here. You should remember that the last round is in transition. So added located Ctrl D and place the logo behind these layer alpha made. And now you see that this that this transition opens the logo. I'd like to move the animation.

Make this sunlight. Great again. Yeah, a little bit later. So I'd like to add a slowly scaling of the logo, put scale over 14 and by this moment, the logo will have The size is in and added the graph is out here Have a look. And as I said the transition and the peering of a logger will take about a second to help and the logger can stay here till three seconds. Okay?

To make it's slowly moving. I'm gonna do it this way and on any course key so I deleted I also precompose it, name it main. Okay, put here is tar and from this moment, open scale value Free seconds it will be scaling slowly. Okay, here we've made a transition used color scheme and animated a little girl in a tricky way. It's enough let's do the final stage over one second is okay for it. I scale the logo as maximum as these parts become visible put here in there is out.

Okay Have a look. If it is okay by timing I would like to change a preview for now. Okay, maybe this beach should be should be changed a bit. So, there is a way to create a shape that will cut the composition and open another screen that will be behind. I use a rectangular mask and draw these shape check and group one anchor point and the position of the shape itself should be in the center after have a look at the degree of decline of the shape and rotate it like these lines. There is a little animated by scale, open scale and look proportionally and You've guessed what to do.

And here you should select alpha in roadmap. That cell, we've created an exit to the next stage, use about four seconds. transition, the logo appearing and go into another stage. If I turn it on here is alpha. It's clear. Yes, you can use it.

Maybe it's a simple animation but, but you should agree that here's an cool reference. Cool cos came. We created such an animation very quickly, and the more important that it is very pleasant. For viewer you should understand that simple form and symmetrical and cool color or color palette make a good quality content. So glad to say that when you have a simple animation and simple forms, you should pay more attention to the keys, I mean that animation should be smooth, the speed should be very good for a viewer so check every tiny element and only after these nobody wants to name it like you know what I mean? I want you to try it by using simple forms.

It can be a transition by scale or aside appearing or using in other forms as it can use difficult texture. So you can make it more difficult if you want because it is just fun. But a good as tone foundation to build anything you want. And if you catch it, your friend has they will build anything that you want by using it. It's only about your free time to deep inside the project. So try it and upload the project with the color references to understand what he had.

What he is, so try it