Hi there, and in this lesson we'll talk about editing in motion. And this is my favorite topic. I think that this is a trick that can better reveal to us the concept of motion design and the concept of my personal, no style, cutting the corners. That's the basic rule that we should use. We can use our personal experience or some tricks from cinema. What's the difference between good or bad motion designer?

Personally, I do think that for bad designer, it will need 27 for one motion graphic play and good guys will need only five or 10 seconds. So cool guys need less time to reach the same level of oppression effect of the viewer or to reach the goal of the video. That's why I decided to pay your attention to these tree editing in motion to describe what I mean my friend should move his ass take Not a woman and go out door to film this video for you. It took him about 30 minutes including editing aeroplanes pretty clear first screen, he throws the knife. As you see there is just a tree and the neck falls down. The camera is following the knife path.

Second screen. The knife is inside the tree and the cameras following the imitation of the next Spock. We should just find the middle moment without Alex in the screen. By the way, these guys are my friends and they Alex is the author of this course and I'm just doing voiceover so we should find the moment that Can you to our cotton or editing? Lola, it takes us two clicks. In real life, it will take out.

I don't know, maybe two weeks of practice of throwing knives, then probably he can even hurt his girlfriend or I don't know. Maybe he'll need more girls to finish this video. Oh my god. So the help of this effect we can do on real tricks and motion seven designers now that we can use this trick, not only in cinema, there is one more nuance, as we're talking about the topic about editing in motion so so our camera falls the nice box by but we can add a tiny thing that can make this effect more efficient. raster. So here in this video, we'll see that after the knife have reached the tree, one can see that it has of abrasion.

So we create the impulse after hitting the tree, but in real life down here just before the camera which her face, she had pushed the knife by her hand. We even can find her hand somewhere there. Yeah. So she just pushed the neck, and voila, the film is ready. So if you use this trick in filmmaking, or motion design, please save this impulse. Save it and share the impulse to the object.

In this way, your viewer can find this trick As Alex did just for fun, so he didn't edit the video. Ideally, he didn't polish the first night, which is, by the way, flying somewhere into the sky and you can see them, but Africana downloaded it into the Instagram. So great amount of people thought that the Yes, it was true. If we take a closer look, we will see that this video is not good in close ups, but it hasn't affected the video effect. So let's turn to this fact in motion design. Here we can see this kind of fresh video where we can find this trick in average tap.

So you can go in one of two ways. Either you're going to have a painstaking work and draw a second frame bookcase So on into complex morphing from screen to screen so, we are going to use editing motion and give a great results just have a look to both of T transform to a cup and now time lapse effect and boom yet bots and cap already. Here one concern the vector of move to bus met each other and also there is an impulse after the strike. Here we can save a lot of time to create this effect. And we reach the end of the video. We don't miss out and in this video.

We just make the dynamic effect. We also showed the time of thinking We just make a brief morphing, and do it nice and expressive. One more example, it's Google logo, one can see four dots, and then transformed to the microphone. It's enough information for viewer. But when we have a look by time lapse attempt, we'll see this moment of destroying the author of the video just leave the main directions of the dots. The colors are the same, and Okay, the main blue dot has derived movement to become a microphone.

Yes, this is the main object of this video. And that's an upward view because the animation of non main object becomes secondary imagination. So this problem by itself I'm toying with you Logically, I would like to show you one cool example of editing in motion and using this trick. Let's start from the beginning with the red circle and it is jumping and transforms into the cup of coffee. Time Lapse again, here is a circle here, then it is some kind of stretching and that's how we see just our cup, our final object but the oka leave, please the impulse of movement, the cup has utterly moved down and has a little shaken. That's how the author saved the energy of the previous pretty clear.

Needless to show you how it works. Personally, I do think that you should try bizarre You're not all the Hawks and all the techniques you can create according to these knowledge and rules and complex objects. You just follow the principles. So let's go