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URL:https://www.learndesk.us/class/6465166445117440/lesson/23c9112eaa241a9d0e010dbb01b23519?ref=outlook-calendar
SUMMARY:3rd phase - Synthetic Cubism (1912-1914)
DTSTART;TZID=America/Los_Angeles:20260517T190000
DTEND;TZID=America/Los_Angeles:20260517T200000
LOCATION:https://www.learndesk.us/class/6465166445117440/lesson/23c9112eaa241a9d0e010dbb01b23519?ref=outlook-calendar
DESCRIPTION: From 1912 onwards, Cubism opened doors to new painters, such as Albert Gleizes, Jean Metzinger, Francis Picabia, Juan Gris, Marcel Duchamp, and Robert Delaunay, among others. This phase also appears as a crystallization of all the activity developed by the pioneers Braque and Picasso. As Juan Gris said, Cubism was «(…) an art of synthesis, a deductive art», and it was in this sense that the synthetic phase saw a retreat in relation to the production of the analytical phase. Thus, in the synthetic phase, we observe canvases with more recognizable motifs
The Man on the Balcony (Portrait of Dr. Théo Morinaud), Albert Gleizes, 1912 (Philadelphia Museum of Art, USA)Not much will change compared to the previous phase, but some characteristics stand out:

Geometrized and flat shapes (although with fewer planes and points of view than in the analytical phase);
Return to polychromy

Between the second and third phases, the use of collage emerges – collages of...

https://www.learndesk.us/class/6465166445117440/lesson/23c9112eaa241a9d0e010dbb01b23519?ref=outlook-calendar
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SEQUENCE:3
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