Verse 3

7 minutes
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Verse three of Freddy kings funnybone is really cool and includes some some variations on what we've done so far. So let me take it from the end of the previous verse. And then we'll play the third verse all the way through and then we'll pick it apart. So we're going to go from the five of the, of the previous verse. There we go. Really fun stuff.

Now this bass riff that he starts off the verse, he's going to do this. What I'm doing here is I'm going to the east seventh chord, the seventh chord shape, this is a C seven, shaped e seven. So if you play a C seven, we're going to move it here, my ring finger is on the E, or the seventh fret of the fifth string, what I'm doing is just playing over that on the sixth and the fifth string like this. So it's really just on the fifth and the sixth string. So I'm starting seventh fret of the sixth string, going to the seventh fret of the fifth string, then back and forth between the seventh fret and the fifth fret of the fifth string. Then back to the seventh fret of the sixth string.

So that's the first draft. And then I wrap that up going five, seven on the fifth string, then I'm going to play something similar. And that little riff is going to wind up on the be the five, seventh fret of the sixth string. So we got this, check the tab for this one. And then we're gonna go back into this and then right here, and we're gonna go to the third fret of the sixth string, and start bending on the fifth fret of the sixth string. So let's play everything that we have so far.

So right there, he's gonna go Go back and forth between the third fret and the fifth fret of the sixth string, check the tab, get this down this part is kind of hard to explain it note by now, so let's do the whole thing. And then he's gonna pause, pull down on the third fret of the sixth string, and then let the sixth string ring open, and then he's getting ready to move on to the fourth. So let's play that whole section. I'll play it real slow, and then we'll move on Doo Then right here, another one of these transitions to get to the A, he's gonna pick the open sixth string twice the ban twice on the third fret of the sixth string, then to our a seventh shape. Then right here, he does something a little different. That's what I'm hearing.

So you're gonna play the open fifth string, hammer on to the second fret. And then the open fourth string and then hammer on again to the second fret of the fifth string. So that whole lick and then right here, it sounds to me. And he's doing some kind of slide. Maybe from the third to the fifth and then the open 16 rang, or maybe maybe just the fourth, I think it's three, five open. So the whole thing that's what I hear could be something different.

You'd listen to that part of the song. See, what do you think I'm not positive on that, but I think that's what he's doing. So we got this. Now we're gonna do another variation on the B seventh, we're gonna do this. What I'm doing, they're starting out with one of those pull off licks. And then I'm gonna climb into the beast seven, the open fourth string, second fret and open third, second fret of the fourth string.

So let me play that slowly. So we got this leg, we're gonna go to IP seven. Now this time we're playing it a little differently instead of two upstrokes. We're gonna do three. So we've got this just a quick third upstroke. And then I hear open, fifth string, third fret of the sixth string, open.

You listen to it, see what you think. But I'm pretty sure that's what I'm hearing. He plays it quickly got to adjust there. And he wraps up the verse with that East seventh chord. Let me take that whole verse and I'll try to play it through real slow for you. Let's start from the beginning.

Right there he's gonna kick into the first of the two solos and the song. So there is the third verse of Freddy kings funnybone

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