The fourth verse of Freddie King, San Jose goes like this. There is a stop time in here without the backing track. It's kind of hard for me to show it. I might exaggerate the stop here as I play. So you'll see what I'm doing. So we end it from the previous verse.

So there is the fourth verse, we start out just like we did the first verse, the very first lick that he plays to me sounds like he's getting that eighth fret in there. And again, I'm not sure how he got At the sound exactly the way you did, it might be the muting that he does with the right hand palm and exactly how he played it that time around. But I definitely hear that string in there. So the first lick I play, I was doing an upstroke with the pick with my first finger on the eighth fret and then enter the main lick. The second time I just get the second and third string. We're doing that climb.

Just like we did the first verse. We're climbing to the floor like we did. Right there is the stop time. There's gonna play this. So we're doing this double stop leg right here. I hear that note thrown in the 11th fret of the second string Play something like this.

There we go. Let's do the whole thing so far. This one's kind of a choppier leg or something like that. Just that little lick delete in that one, you want to check the tab on, and he's gonna do one of these to the eighth fret of the fourth string. When he does this leg, I hear a hammer on The first time he does it again without the hammer like this. And that's how I hear Amanda.

So this little he's playing on these four notes second, fourth string, third string, eighth fret, the 10th fret, check the tap and see exactly what I'm doing here and it's just right there in the blues box. Let me play that whole verse. One time, slowly There's the end of that verse.