So, let's look at what options we have for the chords. For the one chord chord tones are basically draw notes. So we have the root note on to draw, we have the third on three draw, we have the fifth on for draw. Now we have a flat seven on five draw or to draw a whole step and so what we can use as passing tones are the exhale notes. Just remember that, three exhale, six, exhale and nine exhale are actually root notes. When it comes to blue notes, we can use the flat third, that's the three draw half step bend, we can use the flat five, which is the for draw, half step band, and of course, we can use that flat seven, which is that to drill holes step band or five draw for the four chord.

All chord tones with exception for the flat seven are exhale tones. So we have to use draw notes as our passing tones. But I would recommend you to stay away from three draw and seven draw because they are a little bit too happy a little too major for the forecourt when it comes to blues. When we look at Blue nodes, we have the option of the flat seven, which is that three draw half step bend. And the only other option we have is the flat five, which is to draw half step bend. For the five chord, staying within the chord often adds enough excitement.

Since then, we're using total ones that are not used by the other chords. For passing tones, most of the exhale notes work fine. The Blue Note options you have are to draw a whole step band, which is the flat third, which is also available on five draw. You can also use three draw one and a half tone band, which is the flat five, which also find on six draw half step bend. And of course, you can use exhale 147 and 10 which are the flatted seventh. The five chord is a tricky one