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URL:https://www.learndesk.us/class/6141532086206464/lesson/c31796a14d8f93c41e4d10451e920946?ref=outlook-calendar
SUMMARY:1. Flowing Emotion
DTSTART;TZID=America/Los_Angeles:20260502T190000
DTEND;TZID=America/Los_Angeles:20260502T200000
LOCATION:https://www.learndesk.us/class/6141532086206464/lesson/c31796a14d8f93c41e4d10451e920946?ref=outlook-calendar
DESCRIPTION: To connect quickly with flowing emotion to any material you must be prepared first.
That means, for a monologue you are off-book.
For a Broadway musical theatre song, you can hit all the notes easily and you treat it as a monologue.
For a demo in the music industry, you have found your “sound” as an artist, it is conversational, natural, spoken, emotive, full of vibe, and you have very strong musicianship.
Flowing emotion is not the same as emoting.
Emoting, like canned inflection, which we discussed in a previous module under effortless acting, rings false.
It is manipulative and does not lend itself to truth and spontaneity.
Truth and spontaneity are the 2 most important things for fast emotional connection.
I call these triggers.
What I mean by triggers is that you do and/or say something that is honest and it triggers you emotionally. By simply trusting that you are enough.
See, you do something truthful, it might be a line you say or something you imagine, or...

https://www.learndesk.us/class/6141532086206464/lesson/c31796a14d8f93c41e4d10451e920946?ref=outlook-calendar
STATUS:CONFIRMED
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