Now you've got that figured out, it's time to go ahead and strap that into the snowboard. So we can start moving around and getting moving without one foot strap in before you strap in the front, it's a great idea just to check that there's no snow in that painting basically, because otherwise you'll kind of have a funky platform to stand on. And also make sure you just get a little tap so there's no snow on the bottom there. And then when you step into veining, we always want to do the ankle strap First of all, so we get that boot nice and snug against the high back and that boots secure in the binding. So with our straps, we always want to make sure they're snug and tight so we get that direct response and control to the snowboard. Once that ankle straps done, go ahead and strap in the tools.

Now we have that front foot strapped in. It's great idea just to get a feel of the weight of this snowboard. So pick that snowboard up and stand on your free leg and just do a little spin around, maybe grab the board pretend like you're in the next game and spin the other week. So it's great just to get us warmed up and start to taste that balance before we write. Another good idea just to feel that flat base and how the edges are going to help us get to that speed and direction as to get the board on a flat base and really start to spend that board around. See how he's feeling on that flat base really nice and Slater and there isn't much control there.

No bend your knee and ankle and pull your toes into the roof of the book and engage that heel edge in the snow so it grips you can see the border move say to save but it's really hard to get that boot to spin