Production and Shooting Schedules

2 minutes
Share the link to this page
Copied
  Completed
You need to have access to the item to view this lesson.
This is a free item
$0.00
د.إ0.00
Kz0.00
ARS$0.00
A$0.00
৳0.00
Лв0.00
Bs0.00
B$0.00
P0.00
CA$0.00
CHF 0.00
CLP$0.00
CN¥0.00
COP$0.00
₡0.00
Kč0.00
DKK kr0.00
RD$0.00
DA0.00
E£0.00
ብር0.00
€0.00
FJ$0.00
£0.00
Q0.00
GY$0.00
HK$0.00
L0.00
Ft0.00
₪0.00
₹0.00
ISK kr0.00
¥0.00
KSh0.00
₩0.00
DH0.00
L0.00
ден0.00
MOP$0.00
MX$0.00
RM0.00
N$0.00
₦0.00
C$0.00
NOK kr0.00
रु0.00
NZ$0.00
S/0.00
K0.00
₱0.00
₨0.00
zł0.00
₲0.00
L0.00
QR0.00
SAR0.00
SEK kr0.00
S$0.00
฿0.00
₺0.00
$U0.00
R0.00
ZK0.00
Already have an account? Log In

Transcript

Okay, so from storyboards to budget numbers, we're chugging along to production and shooting schedules. Just so you know though you do not have to do these in order you can really mix up the order if you prefer, for example, to do the schedules first, then the budget then storyboards etc, etc, is simply a sequence I'm going with for this course. So just a heads up anyway, your production schedules for your shot would normally be based on the following availability of actors, equipment, location, and sometimes specific crew members, which explains why films are normally shot out of sequence. production schedules might also include the entire project timeline, from pre production, to exhibition or release, as some might call it. Now depending on your production, your order of priority might be different. In the case of my shot, I believe he plays the highest priority or now actors den location.

Crew and equipment. Either way, the choice is yours. So, just add a little variety to the documents here. Here's some samples taken off the internet on production schedules. Also to save time yet again for you guys. I've attached a document to the lesson here containing some sites with samples for your reference.

Shooting schedules, on the other hand, are strictly limited to the production phase only. This is where you plan the details of how a shoe is going to go. Please get a general idea of the days and scenes involved in these for your production team. So how would you go about filling out the details? Why you would get them all your first ad would get them from your actors and crew members in terms of getting the details. And yes, the first ad your first assistant director is the one that turns out to Shooting schedules typically at least, just to give you a rough idea of how detailed or brief your shooting schedule might be, here are some samples from online.

As you can see, you can either use this to your advantage and plan out every move. Or you could just keep it brief in light in general, like guided. Personally, I went for the brief approach with my shooting schedule right here. Because I let my first ad use the call sheets as those detailed documents for each specific shooting day. We'll go into call sheets later. But for now, just know that the details in these schedules are entirely up to you and your production

Sign Up

Share

Share with friends, get 20% off
Invite your friends to LearnDesk learning marketplace. For each purchase they make, you get 20% off (upto $10) on your next purchase.