And start to study. So what is this, this is the ball. But the ball is like trapezium. And if it's from the other side it's rectangle. And if it's different side than insolvable but in the hole, it's trapezium, and this trip is zoom has two things. It's a whole crater.

The hell of our cherry and from the crater, it is a tale. And on the news of the berry, it's a little spot a little bit drunk a little drug, and is the ending of Halle Berry. And it has This trip just like leaf and this and this trip is like a book. And when we're Drow lovers, I always tell you that the leave is like a book. Just like a book. You can turn it the same Barry switch Sherry has a strip just like we want to break it on the house.

What do we have inside of this we have a bone and we have a crater. We have a hole please for the berry and it will grow from the bone. For the for the bone on the ground and you will have the tree is bound Okay, I'm gonna eat this. Okay let's move next. Cherry can be dark red, it can be red and the cherry can be rosy and it can be yellowish but this crater is give me the paper I will throw lightning and you will understand driving of each cherry will be light it Okay, look light goes from here back And have a cherry lays like here. So how lights goes on?

So let's think how light will go another Berry, the mistake of students that's unions drove it the cherry is a circle, a square but we have a trapezium, trapezium Berry. This is the light and semitone and shadow is the second semitone and we have the light surrounded of two semitones. And what has happened In the crater and herbicide it's the shadow semitone and like the lightning is the inner side of the crater. So the shadow goes episodes Did you understand? So each cherry we have we need to think about the light in the crater cherry looks here and okay we have a semitone and light and cherry will have the light just like this. This is the shadow.

This is a semitone a little bit louder Right here we need to follow with light and we will light it Sherry correctly. It's very important to it's very important for berries to touch each other. Okay, this is a very simple action take us out and follow and follow with me. The first cherry follow with me. We will make it a little bit bigger than it's naturally and now return leg down. Pull your finger where are you soak just like this.

Fool your finger. and drove his finger drove this drove this switch here we first and it looks on us. We were thinking from where light is going all the time. So this is the light first we drew the light, we have trapezium kind of bury. First we traveled without crater. We drew the light rabbit and now we have Aqua watering, painting.

Very self semitone and we will stay the shadow to be just exactly like It is making you advise to think where this hill will have its own light. It will be the light of the hill and it will be the shadow of the hill. And let's start from up we need each three cherry cover with the next cherry drove with me chair like this and the light rubs a light for this and we will rub the crater a little bit later when we will work was blade rub the light midtone and leave your shadow was catches this technique technique is for very fast painting. You haven't just like move take away all your lines and I recommend you to start from from the upper of the hill Okay, I know Woodrow the second and the second cherry should recover should cover the first cherry. You know why?

As for this hell from as the moon does cherry cover each other for the crater and then we will make it lighter but if you have a thin fingers you can put a little light inside of the crater and here, little bit finger put but we can make the visible light but this is the shadow and do not draw it because we will cover it It's very important the connection between chairs and don't make the circling chair with me making make it and shape of trapezium or rectangle and it will be fairly correct if you will do this shapes. Okay let's move next to the third cherry. Truth Pay As You goes down and we will have no crater it will be big cherry and it will cover previous two and then just rub the light and very slowly move from the side of the shadow and touch with a new sock all the time change yourself was clean site.

You need to keep yourself clean. Any painting will be clean. It will be clean colors. Just make simple trapezium and let it be just like this. Make a letter here you're never going to take this simple painting the same, the same colors like you can do with what to call those lights of this berries. becomes from acro.

When you see when you see the canvas from the color Oh those rub berries There are so lightning This technique wants to show you the colors. So first, first finger is one of the most fingers, two fingers. First thing fingers catches under second is bleeding. professionals are very interested in this techniques, but they don't take yet this techniques but casual people and students really love this technique and use it very well. Let's move next Oh cherries. They are almost the same size.

So make it own same similar make the lines with me. So it will be over next cherry. It will be the nose and it will be the crater rabbit. change yourself. Don't stop to change yourself it should be clean and I'm not drawing next because we will cover next cherry. We are making the light a coral light and if you saw a dirty change with new it shouldn't be clean all the time.

Very slowly move to the semitone and the crater you just can you just can put a little bit metal lake and then we will make a crater. Now we have four chairs don't make it with one direction because each church should look in different directions follow me was lighting cherry and let's make the next cherry put like here and bang the line down. Now we have trapezium and rabbit again, first, frame up, lighten I don't know if I'll ever cherry don't even rub because we will because we will make the next cherry got you hertz was trade lines architecting clients let him or his marketing kit architecting thinking men just trade lines and don't do nothing down on the upper side, put put a strip and it will be a crater. Move next. It goes very fast and now And now booted less don't push too much.

So now arbitrary become closer to us and arbitrary looks down make the lines and then rub the light Do you see how do we act? From the right cherry to the right cherry and they all have a girlfriend. Okay, we are doing acro painting, and Robert The painting is growing very fast. We have only three hours and we will do everything in the right time. And make his trip was metal lake and hold we have a cherry somewhere is a sweet cherry somewhere in the raspberries somewhere the current we will have buried collections. We shouldn't do the same we didn't shoot which shouldn't do the same exact work as we had.

We can make our own cigarettes. If your sock is clean keep working. But if it's dirty Change it. Don't be afraid. Don't be afraid to dirty your hands. We will clean it up clean it with soap.

Let's go next. Go down and make another one Barre. Turn it was one side and work was trapezium and put a lighten on it to the side of semitones a little bit darker. Move away of move away all your lines and this little drip, its nose will be up beside the crater and abound inside. You didn't see it. We'll make One broken cherry, a little bit later.

Just like human made, took a piece of cherry. If you have very little details, you can do it on reverse blade and the connections, connections with all cherries, put a good light. Here is the light. Let's back to this cherry and put the light here in the shape of free tangle. It's not enough we need to extend this slide to the semitone and move the color Was socks by all the hands. Its energy comes from other fingers and usual Canvas becomes the art.

Make stronger a little bit, your light. The color is drying. So we need to work fast. The first day you work with this technique. It's a time for rubbing. Today we'll we'll make it for one day.

But when it's big to life, we try to rub it in the first day. We made a lot stronger and here we make it stronger, too. dam move to close. semitone is circling and make your light stronger here go up but arbitrary will be barely seen up there and they will be covered with each other with with each other. And no this crater looks at us recovering recovering cherries and we will grow up or cherries little later. No we are working with roots over Hill and then we will go up and maybe some of cherries will go opportun do you feel when we have working where is the light and the semitone we will work next later.

This is the place for cherry and the chair will be turning to this site and again trapezium. Rabbit you can rub it with semitone and we will put a light later. We will keep the dark shadow but not too dark, a little bit darker than light. We will make it out coral this cherry Sweet cherry and now we will work with light. First we made the semitone and then was clean so we started to work with light and the light will be circling just like on the bowl and the light will be little bit caught it again was Motorola like red, feminine you make the trip. You can make everything crater and you can make the light and creator and the light will be on The urges side of quatre it's a very good switch very bad it's disconnected from all other therapies.

And now we need to make it bigger because we don't have we shouldn't have a big gaps between chairs. We need obituaries to cover each other. Then make two big posters because this is the territory of aquarelle watercolors Okay, to the crater and this site Let it be here and we have trapezium again if you suck To do it just change it we can work with dirty soak, you cannot drop with dirty soak. Okay, and let's make another one and this tree will look down and this cherry one have the crater and it's not going to be too light. Okay so it's too dirty and throw it away. You can clean and you can clean your brushes was socks.

You can take new socks don't make the holes and sucks It will ruin your work. Okay, I have a new sock. Let's work with a new sock. Grab this cherry and make it to light. We shouldn't we should make extending, but not but not big. And just remember, we always work in touch with cleanse, suck and we will have fairy lightning painting.

We will make a little break. We'll Breathe in and breathe out and we'll check our students work. But before the break, I'm asking you to make one more route. Cherry just right here. Let's make the plate in a painting it will be a little bit down earthen table. We will make it pretty wide, flat, but wide and we'll make and we will make a line of our plate.

The oval is flat and very straight and then you make cylindrical one centimeter holder it will be The holder of over a plate it will be the light because it will be cherry inside of this and it will be light this has ever played this habit it goes. If we look at this painting, we see the play the first oval, and then the second oval. In front of this is a line and little button was one centimeter size. We shouldn't make. We shouldn't make a little plate, we should make it big. So we see that we see two minds.

First of all, and the second novel is about him, but the most important to make it flat Make a light right here inside of the plate and light you are making the light to show the depth of our plate and oldest Hill wills standing standing in this line seven millimeters or eight and take cadmium red and make one answer is Barry here which will be which will be the holder of of a triangle. First, work with color and then run The nose will be up on cherry. Don't make it to light. Make it more melting. And don't forget to change your sock. Don't keep it dirty, because light can be ruined.

And the credo will look down. And of course we still need to work here. So let's make a couple of them. One cherry goes down on berries here make the light. Their berries are touching each other but donor cherries. Don't have chairs covering up the cherries and on top of the hill you will barely see the chairs.

So this is a this is how it should be cherries which are untapped will be very far from us and don't go for from the word of trapezium. We are still designing this cherries just like flowers and fruits we are drawing because if we will drove from still which will be it will look like a champ but we want to hold them in space. So we should make it was geometrical shapes, shape, square, rectangle trapezium circle and diamonds all other shapes we don't use the most favorite shape of people or try rectangles. People are relaxing when they see rectangles make it little lighter. Okay, put light. Put more light here was your sucks.

Okay rectangle of light and it comes to trip with him and his cherry cherry has the same the light don't cherries don't have much light. I don't make it. This is the port where the light this is the part of the highest light and down is more melting. Nova take matter Lake red and another one been cherry colors another do it was metal Lake red or metal Lake Crow's with cadmium red. Make it blurry and now we'll wrap it Make it a chrome make it was good colors and this berry will be heavier. Do you see?

I make it bigger. I want to make it more monumental for you. And the cameras blade of a painting becomes a life because we put a knowledge number skills in it. We are sharing the knowledge with you and only your own ideas will be good with the skills and knowledge you All very talented if you are here with us thank you own ideas. So ideas actually is a difference between artist and put your own sketches on your notebooks, all the ideas, everything you want to draw and through the metal a credit it comes more darker and we spread the shadow. We can also do not draw the shadow and with cadmium red, put a light once again make and make the law But do not make it to light and it will be the crater.

You will try it. Okay, let's move next. We have lightning charring. And now we need to dro semitone chairs from light to semitone and our semitone is circling. This cherries will be closer to us and they should be brighter than others. Take a clean soak and we will go from up to down.

If we go from down to up, it will be difficult for us to drive. So let's turn upper Push very carefully and Sophie very simple cherry with nose looks up rabbit and make the light but I'm showing you the semitone the place for semitone just right here and let's draw a shadow cherry for you to understand how it should look like both violin and metal Lake read. It's not wrapped, it's all in shadow for you to see how it should look like it will be oriented We'll do everything in time. This is Tammy town and it should be a little bit darker than other light cherries. Make the lines with me and the creator will draw later first. It should be light of our semitone.

Cherry and then move it to the semitone but craters shouldn't look on one duration it will be too boring. Don't rub it too much, because this is the territory of semitone put a little light Don't too much and don't forget to change yourself I noticed that I was tunes so make a light to semitone not soft enough, but you should do this and the top of every hill will not try oh now we will make it later. We'll see what we can do later with this. And let's draw the girlfriend to this cherries. It will be the nails of cherry and rabbit and then we will draw the crater Everybody we're standing in had a volcano Well, it is the home of arbitrary and here is a crater. Make it was metre Lake crud and the light is here drove the light.

Do you see I'm not running to the white color because it's a semitone territory. We will make it very softly to the dark side. If we will grab it too much. We want have the soft lines on the top of the hill Otherwise Otherwise we will cheat will cheat people we will make it all the same and let's draw the theater here and don't forget that it's not necessary to put the crater on each Berry. Let's make a tree in the middle of the hill I'm skipping over time and then throw down parts of cherries because they will be they will be covered with next cherry And the nose will look down. If you have something between the chairs make it dark.

Some kind of rectangle we see make a darker let's make the nice cherry I made this cherry to like I need to work with more colors and the cherry will go right here and we will make the crater which looks own us this crater looks on us, but first rep this cottage shape very softly very carefully and keep the shadow semitone cherries. have very contrast territory of the shadows and semitone it's a very big contrast of lightning on semitone we already have the contrast and no softly making the hole and this hole looks on us and it looks straight on us just like the eye of the human. Don't be afraid. Looks trade on us and through the light if it's a little bit wild but it's okay, the shadow from this side Put a darks boat with a metal like credit and make your light stronger because we need to have overshadow DC now we have the AI which is looking at us and now all this all the other charities that are covered with other charities and will dro one bury it looks down and I'm a mess Can you make a very good lightning lightning first slide don't push too much too hard.

Okay place for the crater. Live it and it will be the light in the crater. The crater will be on top of the cherry it will be the shadow of crater it will be the hole in the shadow. Now you will see the shadow meaning to make contrast with lightning just mentioned like you want to take it in your hand and down low you're just relaxed about it because we will make the next jury we're not gonna work too hard and down layer and got it. Don't forget to cut it. The crater looks here, looks there and pretty cherry droning down, but don't cover it too much this time trapezium shape and let this trapezium cherry let this trapezium cherry have a rubbing very careful and make this cherry we need to use cadmium we need to put a cadmium here.

So take cadmium yellow and lemon cadmium Give me some yellow because this term is very beautiful, but looks look what it has. It has sides yellowish sides we will take cadmium yellow and we will make the light on some of them but not many of them don't make it to call a fool. I like it when it's not too much callers. Most style. You know when it's too many colors. Your eyes cannot concentrate in you cannot see the hill just make Make it a little bit of a yellowish make your light yellow fish with Cadmium Yellow, but very not much.

It's too much now. We will clean it will take a move coming in coming colors to make this cherry eatable stylish. We need to keep our styles Don't make it too colorful and move down. And one more time. I'm telling you everything which is done with rupt will be the lighter will be the most lighter. Do you see the dark canvas and the light breaks the painting.

Do you see the slide on the plate? If we will rub it it will be so bright and it will shine. I'm just telling you you just remember of technique when he was drawing the carpets on his work. He was putting this carpets with pieces of sink white. And then when sink White was drying he made the glaze. He made a glaze.

Command to glaze on this carpet, each part. It was was like it was a feeling like this carpet was life. wanted to take it in new hand. So Each of our teacher familiar around round teach us something new. Okay, this piece is ready and it goes on us. Okay, let's work with next.

It will be darker cherries down on the plate. Let's think about the size. Don't rub it too much and the crater will be right here. Don't push it to the white canvas semitones will be should be very self dropped and put a crater here was Meadow Lake red Robin place Let's go next. We don't work too much with semitones cherries and we need to cover this cherry we will cover it this too was one very very soft Don't make it too transparent and plays the territory of previous very fairy softly How do you think Do we need a crater here? Okay, we can make a crater here.

Push very softly and make To which we didn't have before. Okay, here, here will be equator put a stick of the crater and put the light and the moonlight here. Okay, let's move next. It's a very powerful secret of Holland musters when it's two semitones cherries a grapes have one only semitone For example, this and this connected with each other with one semitone just like it's just like it's twins. Just like people twins, and they have one semitone And they look like a one Berry. Two berries in one.

It's a very good Hollen principle. Which helps you to make the common semitone this to Charice a different with shape then they will be similar and it will be no border between them. Of course you need to teach you need to learn this techniques from Holland artists. They were connecting two grapes or three grapes in one. We are doing the same this and this. Berry will have one semitone hope you understand what I'm doing.

Talking about an oven this cherry we can take to make common and one semitone semitone of all three berries has no border. It's a very professional work. If you can do this it's no border snow line between them. make at least three berries like this. We will be very carefully going down. We will be darker and darker.

Let's check the berry down. We can make another one Berry, which we'll look at us with quatre Let's do first semitone rubbing very carefully and softly. Have you understood what we have done with oldest three cherries, we connect them with no borders. And we're doing one move berry don't push too much and very make the very good contrast with lightning. And we'll think about the crater where to put it. Because if all the craters will be all the same, it will be not interesting and even dangerous.

Craters should look on the different directions. Sometimes it happened that students have to fix works of work a very tiring and it's intelligent work and our hands do this work so if you are tired too much just have to draw it for 10 minutes just sit and look what I'm doing. Don't be afraid that you will not be in time. Let's check the crater. We have a student Sergei from Germany is coming to us to Moscow of all women a drawing and in hurry. Sergei is tired.

He went for a walk. Come in back in 20 minutes full of strength. He was the first after this break. Don't suffer too much. Step two dro if you are too tired, draw a couple of cherries are the most important thing another technique is ability of more than art is unwritten understatements. So try to keep this technique unwritten and understanding Don't be in hurry, don't rush the most and the most important for you to understand this technique in principle.

Let's go down a little bit and we will work with colors. Doesn't matter like crud and don't cover it. Too much. We don't do this anymore. We didn't cover arbitraries only for five millimeters. Now no.

First we made dark cherry with metal Lake red and then I read a little bit you have the lightning light has light goes down and now you have a blink of our Hill as more and they have very darker down and then put a little more metal lake and covering only was four millimeters now Okay, over semitone cherries we put down we'll live them down. And again, I'm telling you that Albert semitone cherries, it's a place for contrast lightning. Rather light, push a little and give the shadow for the sketches. Here it is. And now it's ready let's back up a little bit To cherries and we'll make the light to stronger on some of them will back a little. Maybe we'll make a couple of them with shadow.

I will take metal like red. I think we have metal a Crow's. It's very good news. I hope Will this metal Lake rose, we will make our semitone much stronger. I'm looking for metal a crud we want to make a semitone a little stronger and also we need to find a usual metal like red Okay, let's make was a metal Lake shadow Charice and we will take COBOL Weiland on finger and put some of our cherries with shadow. Make a dark don't rub it.

We are only coloring them and here down down the plate. We want to make dark cherries. You can see them Look what we are doing with it. Please take a new blade and if you're ready and press it a little bit, one, two, and three. Make it more glace. It will be just like as pets.

Very integrative naked glazing. It's two big pistols here. I have to make it too huge. They're more or less the same. eyes This is very clean blade. Maybe push it a little bit, push it from side to side.

It should be glazing we will check maybe we need to work with the brush and take a new soak in your hand. And it's very important to make this hill to make this hill not symmetrical. Make it different. Okay, let's think where we can put another cherry. We will make a very rectangle and all this shadow cherries should keep the show Shadow don't do it too many of them. Just couple, maybe five.

We're looking for colors. So we want each student has the colors we need. I can never have it. Let's move next. Now we have metal like crows permanent and we will put the bit here and we'll make a couple of cherries. semitone cherries.

And already make the light but very tender and very soft light. Metal a Crow's is very good for rubbing. And let's make a duck cherry to rub the little but no much. Just a little bit, just touch it and let's make all this dark cherries. Let's touch this old dark cherries with light and let's work let's let's work on this side. We will touch with metal Lake crows person And we'll make couple of chairs switchers, not many of them and rub it very softly just touch it just touch it up with Eric and then put a little light now we have very interesting light.

Is this rose permanent? Give us a very interesting color for us. Do you believe me or not? This place we don't have to do much here on the site. But we want but we want to make something here. Now straight lines symmetrical, make it different.

Make it all different and I'm barely touching it with light. Now we are working with heavier details. We are making something heavier and not very clear and even put distance between them but make a little light. I'm going to tell you something and you We'll do this here. We need to have some kind of gym. Don't work too hard here.

Just remember who are other teachers and have a teacher is Rembrandt and he was making a semitone I'm sorry, a shadow of his own falling shadow just like one territory. And the Rembrandt wasn't working too hard on that territory and we are doing the same. We are making this territory very, very easily in the impression style. Okay, and of course we need to make when we need to make Holding berries. Let's make the plate first make rectangle with me. Do lift and rectangle like this with me.

It will be the light on number plate full of follow with me. And now we are making rectangle on cylinder and it's holder and we will make very beautiful personally plate milky will be some kind of milky color and have a grams ma napkin will be lighter, whiter. The light doesn't make a value of object we will take a clean soak up Make a semitone here. First it's like here semitone first it's on this territory and the string and then it goes here of a semitone goes here, make collide stronger here live origins was allowed to marry, who really knew what they were doing. And he had the territory of his work in place which was closed and he was sitting there trawling has paintings like women were raising the kids. for them was sitting with his steel life paintings and was working very carefully.

And it was it was no people around him for non breaking this pace and I'm telling my students to find your own work in place, and don't let people go there. The entrance should be closed. Only sometimes when you have your buyers, customers friends, which are spiritual filled, maybe your family wants to look What are you doing? But don't show your unfinished works because people sometimes are very happy because you are not doing very well. They can be criticized, bad thinking, bad minding. So that's why I keep you enter is keep you interested, do you work this place?

Closed but if you want if you want your order to be good, don't show it before it's time before it's ready. It's a professional secret. You need to clip and follow. Okay and this layer you will make a light and two semitones That's a little bit shadow. Now we have Mars and the shadow will be just right here. It will be more so rod.

Make it we need to place this hill on the white territory we always have the Morris or not. Okay, now we have circling, circling semitone and now we have a territory of circling semitone take metal Lake rows and cadmium red or Deep. We will make couple of fairy soft cherries which are going to semitone we need to move we need this is the territory of air lightning and we need to move over terrorists to that side. Push Push a little but not as lightning cherry with a very clean stock and keep this keep this blurry spots with background. One cherry when there and we will have the crater there then when cherry goes like this down or a nose will be there and it will be closed. And again the same colors, metal a Crow's and metal Lake Cadmium Red donut will be darker and maybe and you can take over light there in this territory and we will make patent territory.

Okay, one cherry can be on the light one semitone We will draw with light and now very softly spreaded and find the place for the crater. When you will find the crater you can make the falling shadow from one to another the greater will be almost down. profiling okay we will make the last two it will be very dark with murder like red and it will be covered with other cherries, but it will be dog and strong And only then you can make it in order to make the beauty of this and now you can see all the beauty of of a painting it's only you decide what cherry will be covered with other domains a copy of my picture. It's not going to be interesting. You should decide for yourself whichever it will be cover it. recover it.

Which area will be lighter or darker? If you know if you know the lows of light, you know how can you do this? was still rubbing and we have only one over but we still in rubbing. But remember, berries, cherries, sweet cherries. They are drawing Generally was rubbing it's not much work with kolinsky brushes, old brushes. It will never it will never have the same look as with rubbing.

Forget about semitone chairs and we will take couple of semitone chairs. We will take awkward golden on the finger and we will make it as symmetric take we'll take metal a red and rub it and rob the symmetry. A little lighter than light. okra. You're golden. Make it hard right there.

That's very clear. And don't forget the semitones should be a little bit darker than light. We want to chat a little bit of the audience. It won't have a huge contrast with lightning please any each sides each sides it should be different to make it symmetrical and now we need to put no need to put chairs with metal like crud here okay they are drowning there. Just a couple of touches. A couple of brushstrokes and it's almost all cherries are done.

I promised you a different berries. But it's if we have time for tourists it's good. Then we have scratching and working with brush and we have only one over. So let's keep work with cherries. We'll keep this territory untouchable. We can take a blade, but only on you and make very carefully shoot Going somewhere you can call the triggering.

Press a little bit push the Don't ruin turning Sanford side that's enough. Okay, and now we make an limitation we'll take metal a credit and make one cherry. So with cherries, a spreading another painting and one of them is flying up. It's only one shouldn't be up on top of the hill so, just like this jury can fall down. If you were sitting on the chair tree, I mean you're shaking it. Just like one.

It should be the element of falling cherry. So one cherry is flying on the top. Or even falling. As Metro, we're making one more cherry with a cadmium red and metal like red and falling, its falling down. It's very good. Stay alive for the kids.

Right? They like to watch an ad. And kids love to make fantasizes about falling cherries. And my grandchildren they have the painting of cats, and it's very interesting to observe. When making is surrealistic in some kind of way. surrealistic just like in an Alice in Wonderland okay now of a cherry is falling or flying.

We're taking metal Lake red, cadmium red. I don't like this Yellow. I don't like it too. I want to take it away. I want to draw it as real. Okay put a little light here was metal a Crow's and all the semitone cherries will go in front of us and will be very close without us.

Touching. Touch it with metal a Crow's and all the semitone Charice. We will make cooler no cooler color. First, we covering with color and then we only rub it It's good that we found metal light probes. And here I want to put a little more to the semitone colors closer to us. And this color we make arbitrary is closer to us.

We also have a third finger. It's a blade graphic inside of painting. You didn't need to work with this too much. Let's do I'm going to make it stronger. with metal like crows, I found it all the semitone cherries. Okay, so we can find another Terry for flying.

It will be shadow shadow cherry from the shadow side. We want to skip from this realism to the side of surrealism and possibility of further fantasy Okay, let's work. Let's work a little bit and we will make another one flying cherry with cadmium red and we will put a cherry just right here. Very serious cherry. Any you decide maybe from your side that will be the other position for the flying cherry but you make Flying cherry next to the Hill. If you already colored it, you can rub it just a little bit.

Don't do it too much. Don't forget that all the cherries are having and it's caught it halftone so now we have three flying cherries. Maybe we want some more. Maybe we don't. Let's think. Let's make another one cherry here because it's too dark here.

It will be inside. Nice insight was cadmium red. And still Meadow Lake rose inside of the plate. Okay, let's make another one flying cherry. Maybe somebody here it will be smaller. It will be much smaller and very calm.

Very quiet true but it should be removed. It's like summer from the year. It's just like falling cherry from the whole Hill. just pulling cherry has lightning and it will fold down. With its tail down I can think about another flying Maybe somebody here it's how I see it. But you can make the cherry falling cherry on your own place.

I want to make good in the shape of hard. Very dark but still, but it still has lightning. Okay, that's enough because we didn't have much time for drawing flying chairs. We will move for the fourth finger, sorry, the third finger and have a third finger catches. The second finger is rubbing, third is bleeding