Now let's take a look at a variation on that basic double slide pattern. We're going to take a song in the key of C again, just like Carol, so you can see the same, the same pattern. And this time we're going to talk about the song dear dad, in the second solo of doodad. Chuck Berry plays this lick right here. What he's done, instead of going through that whole pattern, he's only using part of it, but he's keeping to the pattern and he starts it out. With that slide on the first string, I think he goes from about the eighth fret to the 13th fret of the first string and then he's gonna go into that pattern.

But when he gets here If you follow the timing of the song, he's back to the one. And he's gonna go to that double stop. The one we learned early enough in the series right over the top of the first position, C barre chord. So let me play that variation for you slowly. So the timing of it depends on the song and where you want to put it and how you want to use it, but it's going to follow the same pattern the slick, so this is like number one, or position one, we'll call it. position two.

Back to position one. Because of the timing on dear dad, we're right back to the one right here. So there's another example of how Chuck use the sliding double stop. Now this little slide here. It's kind of cool. I don't know where you got that idea from but they just goes right to the pattern.

There's one variation On this simple pattern now we're still talking about what I call the a pattern or the pattern that you would play over the one or even over the five and the song. And we'll take a look at another example of that a little bit later.