Oh, okay, so we've done the acoustic guitar, we're now gonna look at the electric guitar. And they've got two channels electric guitar, one is a DI. And the other is a mic. Once again, it's a, it's actually a red box which comes off the back of the guitar amplifier. This captures the sound of the actual amplifier itself, without any of the spill that you get from the microphone, and can be quite good for certain things. It also gives you a bit more dimension, a few more colors to play with.

So I'll quickly First of all, listen to the DI sounds flat. Now we can listen to the mic. Just like when I reset the desk and reset all the time controls and that's why it was a bit thin sounding. So I think I'm gonna take the guitar mic as my primary noise and concentrate on the first so we're just going to quickly listen to it. I'm going to run a bit high pass filtering. started a bit low mid, really the sort of top on it really channels together.

So it's definitely a lot thinner when you switched one channel out face so we're gonna leave on the fatter sound. Well, both channels are adding something the D is got a kind of nice low, mid silence and the mic has got a nice catchy, bright sound. Or conversely, you could say the DI is dull and horrible sounding and the mic is thin and nasty sounding. So we're going to combine the box to combine sounds. I've used the best of both channel. And of course, I'm always trying to fix the wall.

I've had one which obviously messes up completely, but I think we've pretty much pretty much there on that. Once again, you can even hear just on this when he's not playing on the mic. You can hear the amount of spill that comes down on the channel. You can hear the vocals but the drums so all these microphones are stage of picking up bits of other sounds and adding to a general mess. So you can see The promise of adding all these different microphones, they're all picking up stuff all over the stage, but I think we're kind of getting there. quickly move on to the keyboards.

Once again, these are stereo keyboards, but I'm not going to pan them hard left and hard, right, I'm just gonna knock them off slightly to the side. Now there's not much I'm going to do EQ wise because so many different sounds coming through the keyboards, all I'm going to do is I'm going to put the filters in, and I'm going to just put a little bit of high pass filter on the low end, just in case there's any really low stub stuff and also on the top end, just in case some extra high stuff that you sometimes get on keyboards, you'll sometimes get really high winds, you can't really hear sort of electronic noise and It's good to get rid of it and have a quick listen. Right now the most important thing let's move on to the phone calls