Designing the Workspace

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Transcript

Okay, Luca and I have just had a conversation about the stage we've had a good look at the artists specifications at their stage plan and their line list. We have decided where we're going to place the monitor loud speakers on the stage, which mixed numbers they're going to be, we've decided where we're going to place the sub boxes on the stage, and we've allocated the appropriate local inputs to them. It's important that you study the stage plan and the line list and you correlate them with each other, because very often, you will find there may be discrepancies. If there are, it's a really good idea to consult with the artist or the artist engineer whose contact details are usually to be found on either the line list or the stage plan. If you can do this in advance, it saves misunderstandings later. Most state plans Fairly simple and straightforward.

It's simply a case of making the appropriate decisions to suit the available equipment. So now we've decided where we're going to put the equipment on the stage Luca. Let's get on with it.

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