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URL:https://www.learndesk.us/class/4647124006338560/lesson/9f6e7dd5d2be1635849e836783949741?ref=outlook-calendar
SUMMARY:Sound Manipulation: Part B
DTSTART;TZID=America/Los_Angeles:20260516T190000
DTEND;TZID=America/Los_Angeles:20260516T200000
LOCATION:https://www.learndesk.us/class/4647124006338560/lesson/9f6e7dd5d2be1635849e836783949741?ref=outlook-calendar
DESCRIPTION: 
The outcome of lessons: A great engineer knows how to work with people.
Music is a spiritual/emotional expression and it is therefore obvious that not all things pertaining to music are of a technical nature and can be addressed technically.
Burnie Groundman: “How long does it take?” “As long as we remain defensive” (paraphrased).
Fundamental: Be open and not defensive.
Further observations:

You don’t do engineering for yourself
Use tools to establish open communication to and from the band
Cultivate good relationships with producer/artist/band
To create a good mix, good “input” (in the sense of feedback from artist/band/producer) is necessary
Educate rather than criticize
Become their fan Encourage/praise the band/artist/producer
As an engineer you are in a place of authority, however, that is only true if you can take responsibility (if the band sees you fully behind them both practically and in approach) they will listen to you
Refrain from creating a “them” and “me” mindset,...

https://www.learndesk.us/class/4647124006338560/lesson/9f6e7dd5d2be1635849e836783949741?ref=outlook-calendar
STATUS:CONFIRMED
SEQUENCE:3
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