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URL:https://www.learndesk.us/class/4605070148632576/lesson/ffc488001b996376935113eb3061c685?ref=outlook-calendar
SUMMARY:Scales and Key Signature
DTSTART;TZID=America/Los_Angeles:20260506T190000
DTEND;TZID=America/Los_Angeles:20260506T200000
LOCATION:https://www.learndesk.us/class/4605070148632576/lesson/ffc488001b996376935113eb3061c685?ref=outlook-calendar
DESCRIPTION: 
Key
When we write music that mostly uses notes from the scale of C major and sounds good finished with a C, we say that the music is “in the key of C major” or “in C a major”.  
Here’s a short tune in C major:

For ABRSM Grade One Music Theory, you only need to know about these three key signatures: G major, D major, and F major, and for Trinity Grade One Music Theory you need to know G and F. (and you need to know that C major doesn’t need a key signature)
G Major Key Signature
If a tune mostly uses the notes from the G major scale and sounds good finished with a G, then the music is “in G major”.
The scale of G major contains the notes G-A-B-C-D-E-F#. The key of G major contains F sharps, not F naturals.
Instead of writing all the Fs in the piece with sharp signs next to them, we write just one F sharp, right at the beginning of the line, after the clef, and before the time signature.
This is called the “key signature“.

In the treble clef, we always write the F sharp sign on...

https://www.learndesk.us/class/4605070148632576/lesson/ffc488001b996376935113eb3061c685?ref=outlook-calendar
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